Be about to的問題，透過圖書和論文來找解法和答案更準確安心。 我們挖掘出下列價位、菜單、推薦和訂位總整理

End Game: Does Israel Have a Plan?

為了解決Be about to的問題，作者Sachs, Natan 這樣論述：

How Israelis envision and plan for the future of their countryDoes Israel have a plan? What does the country want to look like in 10 or 20 years? What borders does it hope to have? Will the West Bank or the Gaza Strip be part of it? Will the Palestinians residing the territories be granted citizensh

ip and become Israeli citizens? Does the country as a whole even know what it wants, what its goals are, or how to achieve them?Israel faces a fundamental question, a "trilemma." It can choose only two of three different goals many Israelis hold dear: to maintain control over the West Bank, with its

strategic and religious significance to Israel; to retain a clear Jewish majority, the goal of the Zionist movement that founded the state; or to remain a democracy, with full voting rights for all citizens.This trilemma has caused world leaders and publics, Israel-supporters and critics, to wonder

aloud time and again: what does Israel want? If it wishes to maintain its Jewish and democratic character, surely it must separate from the West Bank and its population; why then does Israel keep building in Israeli settlements in the West Bank, making such separation all the more difficult? And if

it plans to retain control over the West Bank, is it really willing to give up on either its Jewish nature or its democracy?End Game attempts to solve the puzzle of why the Israeli strategic vision seems so elusive to many foreigners and Israelis alike. It explores how Israelis' beliefs about their

future are formed and how their visions are translated into policy, focusing on three factors in depth: the role of security concerns, ideology, and domestic political constraints that combine to shape Israel's strategic posture.The book contrasts the full range of views in Israel over the future o

f the West Bank, from supporters of a bi-national state or confederacy on the left, to supporters of a "one state" on the far right of the political spectrum. It pays particular attention to the worldview of the political center-right, led by Prime Minister Benjamin Netanyahu, a conservative, risk-a

verse and "anti-solutionist" approach to the problem. This worldview, following decades of precedent, rejects the need for a full-fledged strategic "solution" to the problem, leading to widespread confusion over Israel's goals. The book analyses and critiques this approach, arguing forcefully for en

ding Israeli indecision over the future of the land and in favor of partition and, eventually, peace. Dr. Natan Sachs is a fellow in the Center for Middle East Policy at the Brookings Institution. His research focuses on Israel’s foreign policy, its domestic politics, and on U.S.-Israeli relations

. Before joining Brookings, Sachs was a Hewlett Fellow at Stanford’s Center on Democracy, Development and the Rule of Law, a Fulbright Fellow in Indonesia, and a Visiting Fellow at Tel Aviv University’s Dayan Center for Middle Eastern and African Studies.

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照顧者對於育兒APP使用經驗及滿意度之研究

為了解決Be about to的問題，作者張可橙 這樣論述：

自2020年COVID-19疫情延燒至今，對家庭帶來很大的生活改變，其中除了育兒日常之外，在防疫期間家庭互動型態也正悄悄地改變。因此，為了解家長育兒實際需求以及使用相關資源是重要的趨勢。家有嬰幼兒的父母需要紀錄各種嬰幼兒的生活紀錄，以確保嬰幼兒的健康狀況及健康檢查，如何善用各項育兒資源，將嬰兒照護資訊化，家長可以即時了解子女目前的狀況。隨著資訊科技進步，智慧型手機的流行，數位工具也愈來愈行動化及便利性，因此針對嬰幼兒各項活動的APP也蓬勃發展。目前市場上育兒APP種類眾多，但深入探討實際使用與功能是否滿足照顧者需求的研究較少。為了解照顧者對於使用育兒APP相關經驗及滿意度為何？研究首先依據文

獻探討嬰幼兒相關文獻，了解行動裝置在嬰幼兒保育相關之領域應用，再將市面上手持行動裝置平台皆有上架的育兒APP，將各個的功能做比較與統整，以問卷調查方式了解照顧者對於育兒APP實際使用情形以及滿意度。本研究採用科技接受模式為研究架構，加入受試者背景變項探討各構面關係，利用SPSS統計分析方法來驗證各項研究假設。研究結果如下：探討照顧者對於育兒APP的使用經驗之現況與差異。「認知有用性」及「認知易用性」會影響「使用意願」；「使用意願」會影響「滿意度」。根據研究結論，提出相對應研究建議，供未來建置應用程式系統可以擴充功能參考，讓使用者滿意度更加提升。

Two Peoples or One Nation: The Case for Re-Imagining Israel-Palestine

為了解決Be about to的問題，作者Tilley, Virginia Q. 這樣論述：

Israel’s settlements in the West Bank have progressed to the point that most observers privately agree that a two-state solution is dead. Yet while Israel absorbs ever more land and resources, diplomats and regional experts continue to discuss the partition, as though it is still viable. The idea

of a two-state solution appears everywhere in international diplomacy. Why is the concept of the two-state solution so entrenched? According to Virginia Q. Tilley, the collective refusal to accept the obvious is best understood as a ’paradigm shift’ that has stalled. This is because the internation

al community cannot reconceive the Palestine problem as ’one nation wrongfully divided by racial nationalism’ but instead view it as ’two peoples in one land’. To deconstruct the idea, Tilley invites readers to reconsider the very terms of ’peoples’, ’nations’, ’states’ and ’nation-states’, and chal

lenges ideas about the history of the conflict and the racial logic that has for too long been accepted. Based on this new analysis, and by comparing the situation of South Africa, Jewish statehood is revealed to be conceptualized in ways that generate a regime consistent with the definition of apar

theid in international law. The book recommends a paradigm shift in international law and argues that peace is dependent on the embedded beliefs, values and ideas being revised by all parties. This means that the Palestine problem should be treated as a domestic conflict that requires conflict resol

ution to eliminate racial division within the society, rather than an international conflict that requires conflict resolution to end Israel’s occupation.

關於沈浸自己，我說的其實是

為了解決Be about to的問題，作者陳冠中 這樣論述：

此書面報告書寫從個人迷戀於「音」出發，回溯「音」愛好者的身份過渡到 以「音」作為創作思考的歷程，爬梳「音」與聲音藝術間之外的研究，進而追究 「音」作為主體之下，去聲音藝術化的「音」，如何勾勒出「音」的主體性。在 此「音」主體性的建構過程，必需同時進行解構主體性化，也就是說當「音」有 了結構性的系統，「音」也就不在是「音」了。以「音」作為書寫(創作)的對 象，本身就極為弔詭，「音」是無法明確地被定義的，當本文試圖接近「音」主體 性的過程，以及「音」作為創作的思考對象，便是「音」趨向消逝死亡的時刻， 「音」始終面對自身的抵抗性，不得不提醒筆者在整個書寫過程(創作

過程)，需 要摧毀書寫結構(作品的形式內容)。以上的文字原寫於西元二零二一年三月十八日， 改寫於西元二零二一年十一月三十日，這些文字以「先將來時」的時態預言著未來， 我在西元二零二一年九月二十三日決定摧毀書寫結構的這一個動作。「只好做壞自己」，是經過疫情之後，重新梳理自我與創作的關係，原先關於「音」 的章節書寫，只保留了「噪動史」的部分放在後記裡面。書寫主軸將重新定位在新作 上面。《代號:劇場的原始積累》因疫情取消公開展演，在無法繼續往下推動進展之 下，取而代之的是，奠基在「只要不睡覺，就會有時間了」這一句話為核心發展的作 品，保留了「無線電」聲音技術作為發展，但這個作品並不是要直接以劇場的

形式去 回應有關劇場的勞動問題，《非得要錯過些什麼》透過與表演者的共創，試圖從「活」 的身體擾動展覽的界線，製造出非在場的真實。